Wednesday, November 16, 2005
Tuesday, November 15, 2005
Mr. "Amazing Grace" as sentimental writer
But that wasn't the only genre Newton had in mind as he wrote his tale. Newton was writing at just the time when a group of philosophically minded writers were creating that blockbuster of all written forms: the novel. And he didn't miss this development at all--in fact, he used many of the techniques and terms of the new novel form, whose philosophical underpinning was a major and much-ignored Enlightenment "creed": sentimentalism.
The other day, as I sketched some of the historical context for Newton's account for our "patron saints" class, I mused on this conjunction of the sentimental novel and the evangelical conversion narrative--for Newton's "authentic narrative" was hugely popular and much emulated among evangelicals of the late 18th and 19th centuries, and his use of sentimentalist conventions influenced, it seems to me, all conversion narratives to come.
Sentimentalism was not the hankie-wringing, insincere thing that word implies now. And it contained a conviction about how we know truth that was and is strikingly "non-modern."
(Some of what follows is reworked from a conversation on another part of this blog--that's just the kind of creative synergy I'd hoped would happen when I started it! For more, click here.):
Fanny Crosby & Amanda Berry Smith: The power of the powerless
Today a friend brought to my attention this well-written critical review by Anne Blue Wills of Edith Blumhofer's recent biography of Fanny Crosby. A quick clip:
"Aided by [a] richly detailed [historical] background, Blumhofer presents compelling readings of Crosby's most famous lyrics. The deep contextualization helps Blumhofer avoid sentimentalizing the hymnwriter as the blind poetess of legend. She instead depicts Crosby as an independent-minded participant in a vibrant (and profitable) cultural phenomenon."
This review triggered in me the question in my first paragraph, above--in particular, a throwaway comment by Wills on the "curiosity factor" of Crosby's disability, suggesting that this, along with her womanhood, may have helped her gain the profile she did as a songwriter. In short, I see real similarities between Crosby and Amanda Berry Smith--and not just because they were "curiosities." For my complete response to Anne (a colleague from our days at Duke), click here:
New look--better? worse?
Saturday, November 05, 2005
Christian History Newsletters--2002
During my years at Christian History & Biography magazine (formerly Christian History), I kept up a regular flow of online newsletters, posted at the magazine's site. Here are the linked titles of the 2002 newsletters, with the most recent coming first:
Christian History Newsletters--2003
During my years at Christian History & Biography magazine (formerly Christian History), I kept up a regular flow of online newsletters, posted at the magazine's site. Here are the linked titles of the 2003 newsletters, with the most recent coming first:
Christian History newsletters--2004-2005
During my years at Christian History & Biography magazine (formerly Christian History), I kept up a regular flow of online newsletters, posted at the magazine's site. Here are the linked titles of the 2004-05 newsletters, with the most recent coming first:
















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